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	<title>Shalu Wasu is Tickled By Life &#187; Indian Film Music</title>
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		<title>The Charm of Raga Khamaj</title>
		<link>http://tickledbylife.com/index.php/the-charm-of-raga-khamaj/</link>
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		<pubDate>Mon, 14 Sep 2009 02:30:11 +0000</pubDate>
		<dc:creator>Abhijit Bhaduri</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Indian Classical Music]]></category>
		<category><![CDATA[Indian Film Music]]></category>

		<guid isPermaLink="false">http://tickledbylife.com/index.php/?p=8030</guid>
		<description><![CDATA[In Hindustani Classical music, there is a patrician group of Ragas which get picked routinely for the deeper, more austere and certainly more complex forms of Dhrupad, Dhamaar or Khayaal forms of singing. Clearly these dhrupad or khayaal is not for everyone. It is for the discerning listener and are capable of being handled only by a handful of artistes. There are several ragas relegated to a group in the Kshudra Prakriti (trans: Lighter nature - think of these as the pop version of Hindustani Classical) which is usually far more intertwined in the folk traditions of singing. These ragas are used more frequently while singing  Thumri or its lighter form Daadra - both of which are romantic compositions. The seasonal song forms of Chaiti, Hori, Sawani are from UP, Kajri (songs of longing sung during monsoon). The form called Tappa is usually from Punjab, while Tarana is usually sung at the end of a concert, Geet and Bhajans are purely devotional. Mahatma Gandhi made the devotional song Vaishnava Janato almost synonymous with his own name. Based on Raga Khamaj this bhajan gets a modern interpretation from Pandit Jasraj, Shankar Mahadevan and Jaspinder Narula in this video.]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" style="border: 1px solid black;margin: 3px;float: left" src="http://farm5.static.flickr.com/4037/4161172365_5fa74d659d_m.jpg" alt="Raga Khamaj@abhijitbhaduri.com" width="207" height="240" />In Hindustani Classical music, there is an elite group of Ragas which get picked routinely for the more austere and certainly more complex forms of singing like <em>Dhrupad, Dhamaar</em> or <em>Khayaal</em>. Clearly dhrupad or khayaal is not for everyone. It is for the discerning listeners and accomplished artistes. Then there are several ragas relegated to the <em>Kshudra Prakriti </em>(trans: Lighter Nature) which is usually far more intertwined in the folk traditions of singing. These ragas are used more frequently while singing <a title="Thumri described" href="http://www.essortment.com/all/hindumusicthum_rgrf.htm" target="_blank"><em>Thumri</em></a><em> </em>or its lighter form <em>Daadra </em>- both of which are romantic compositions. The seasonal song forms of <em>Chaiti, Hori, Sawani </em>are from UP, <em>Kajri </em>(songs of longing sung during monsoon). The form called <em>Tappa</em> is usually from Punjab, while <em>Tarana</em> is usually sung at the end of a concert, <em>Geet</em> and <em>Bhajans</em> are purely devotional.</p>
<p>Mahatma Gandhi made the devotional song <a title="Vaishanava Janato - Lata Mangeshkar" href="http://www.youtube.com/watch?v=rKAhRsqvZqo" target="_blank">Vaishnava Janato</a> based on Raga Khamaj, almost synonymous with his own name. This <em>bhajan </em>gets a modern interpretation from Pandit Jasraj, Shankar Mahadevan and Jaspinder Narula in this video.</p>
<p><span id="more-8030"></span></p>
<p>Raga Khamaj is a late evening raga and is brought out rather elegantly in the light classical form of <em>thumri</em>. It has been a popular choice for film music as well. The romantic nature of the raga is brought out by this delightful composition of Salil Chowdhury <em>O Sajna Barkha Bahar Aayi. </em>This song is supposed to have been set to the swishing of the wipers of an Ambassador car when the composer was caught in a torrential downpour. The original version done in Bengali called <em><a title="NA Jeona" href="http://www.youtube.com/watch?v=Ufvl17Cop4M" target="_blank">Na Jeona</a> </em>was also sung by Lata Mangeshkar. She is said to have chosen this song when asked what is the ONE song she will take with her to a desert island. I suppose that question was asked before the age of the iPod.</p>
<p>Shubha Mudgal sings a soul stirring version of Raga Khamaj in her song <em>Babul Jiya Mora Ghabraaye</em>. In the song the little girl tells her father not to marry her off to riches but instead to a blacksmith. He is the one who can melt my chains, she implores.</p>
<p>The composer RD Burman had used Raga Khamaj in the film Buddha Mil Gaya for the song <strong><a title="Aayo Kahan Se Ghanshyam" href="http://www.youtube.com/watch?v=XstaiTvlMlY" target="_blank">Aayo Kahan Se Ghanshyam</a></strong>. He used Khamaj twice in the same film to compose two brilliant songs for the film <em>Amar Prem</em>. One of which was <em>Bada Natkhat Hai Re </em>and the other was the song immortalised by Kishore Kumar &#8211; <em>Kuchh Toh Log Kahenge</em>. While all the songs of the film are timeless classics, I am sharing with you <em>Kuchh Toh Log Kahenge </em>in Raga Khamaj.</p>
<p>One last flavor of Raga Khamaj lies in this piece from the film Kaala Paani made in 1958 starring Dev Anand and Madhubala. The film was based on AJ Cronin&#8217;s <em>Beyond This Place. </em>Sung by Asha Bhosle to the tune of SD Burman, this is a song that brings in an element of flirtation and mischief all within the light treatment afford by a Kshudra Prakriti raga <img src='http://tickledbylife.com/site/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> !! Couldn&#8217;t help that jibe. The song is <em>Nazar Laagi Raja Torey Bangley Par</em>.</p>
<p>Now to give you a flavor of the classical form, <strong>Kaushiki Chakraborty</strong>, daughter of the classical singer Ajoy Chakraborty sings Raga Khamaj in <em>drut teentaal</em> (16 beats, allegro)</p>
<p>Finally, here is a Ustad Abdul Karim Khan singing Khamaj in a recording that is supposed to have been done in 1906 &#8211; more than a 100 years old ! <strong><a title="Ustad Abdul Karim Khan sings Khamaj" href="http://homepage.mac.com/patrickmoutal/macmoutal/mp3/vocal/abdulkarim_Khamaj%20(1906).mp3" target="_blank">Click to hear</a></strong></p>
<p><strong>Other Songs Based On Raga Khamaj</strong></p>
<p><strong><a title="Aa Dil Se Dil Mila Le" href="http://www.youtube.com/watch?v=c1EVvXglig8" target="_blank">Aa dilse dil mila le</a></strong> &#8211; <em>Navrang (1959) </em>Music by C Ramchandra, singer Asha Bhosle</p>
<p><a title="Ab Kya Misaal Doon" href="http://www.youtube.com/watch?v=ad5BcGFpxog" target="_blank"><strong>Ab kya misal doon</strong> </a>- <em>Aarti</em> (1962) Music by Roshan, singer Mohd Rafi</p>
<p><a title="Aayo Kahan Se Ghanshyam" href="http://www.youtube.com/watch?v=XstaiTvlMlY" target="_blank">Ayo kahanse ghanashyam </a>- <em>Buddha Mil Gaya (1971) </em>Music RD Burman, Singer Manna Dey</p>
<p><strong><a title="Bada Natkhat Hai Re" href="http://www.youtube.com/watch?v=2KngOTfCR7s" target="_blank">Bada natkhat hai&#8230;ka kare yashoda maiya</a></strong> – Lata &#8211; <em>Amar Prem (1971) RD Burman</em></p>
<p>Bata do sakhi kaun gali gayo shyam &#8211; Music by Naushad Ali</p>
<p><strong><a title="Bidhir badhon Katbe Tumi" href="http://www.youtube.com/watch?v=yIMVrHSW4so&amp;feature=related" target="_blank">Bidhir bandhon kaatbe tum</a></strong> – Film Ghare Baire (Satyajit Ray), Lyrics and Music by Tagore, singer Kishore Kumar <em></em></p>
<p>Chunariya katati jaye &#8211; <em>Mother India</em> (1957) Music: Naushad, Singer Manna Dey</p>
<p><a title="Dhal Chuki Shaam E Gham" href="http://www.youtube.com/watch?v=1bzh9FyAoPE" target="_blank">Dhal chuki shaam e gam </a>- <em>Kohinoor (1960), </em>Music Naushad Singer Mohd Rafi</p>
<p><a title="Hum Apna Unhe Bana Na Sake" href="http://www.youtube.com/watch?v=T_f71iadnPI" target="_blank">Hum Apna Unhe Bana Na Sake</a> &#8211; <em>Bhanwara</em> (1944)<em> </em>Music by Khemchand Prakash singer<em> </em>KL Saigal</p>
<p><a title="Khat Likh de Savariya" href="http://www.youtube.com/watch?v=YfYFwcGSlfY" target="_blank"><strong>Khat likha de savariyake nam babu</strong> </a>- <em>Aaye Din Bahar Ke (1966), </em>Music Laxmikant Pyarelal, Singer Asha Bhosle</p>
<p><a title="Mere To Giridhar Gopala" href="http://www.youtube.com/watch?v=Rsj9yTmKWAQ" target="_blank"><strong>Mere to giridharagopala</strong> </a>- <em>Meera, </em>Music Pt Ravi Shankar, Singer Vani Jayaram</p>
<p>Sakhi Re Suun Bole Papiha &#8211; <em>Miss Mary </em>(1957) Music: Hemant Kumar, Singer Lata Mangeshkar and Asha Bhosle</p>
<p><a title="Shaam dhale jamuna kinare" href="http://www.youtube.com/watch?v=w_Nknj64ON0" target="_blank">Sham Dhale Jamna Kinare</a> &#8211; <em>Pushpanjali </em>(197o) Music by Laxmikan Pyarelal, Singer Lata Mangeshkar, Manna Dey</p>
<p>Tere bina sajna lage na jiya hamar &#8211; <em>Aarti </em>(1962), Music by Roshan<em> </em></p>
<p><strong><a title="Woh Na Ayenge Palatkar" href="http://www.youtube.com/watch?v=Z6hnZzQGEUw" target="_blank">Woh na aayenge palatkar</a></strong> – <em>Devdaas (1957), </em>Music SD Burman, Singer Mubarak Begum</p>
<p>If you enjoyed reading this then check out a similar article on Raga Desh on my website <a href="http://abhijitbhaduri.com/2009/03/the-charm-of-raga-desh/">http://abhijitbhaduri.com/2009/03/the-charm-of-raga-desh/</a></p>
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